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After a string of mediocre movies, director Tim Burton regains his footing as he shifts from macabre fairy tales to Southern tall tales. Big Fish twines in and out of the oversized stories of Edward Bloom, played as a young man by Ewan McGregor (Moulin Rouge, Down with Love) and as a dying father by Albert Finney (Tom Jones). Edward's son Will (Billy Crudup, Almost Famous) sits by his father's bedside but has little patience with the old man's fables, because he feels these stories have kept him from knowing who his father really is.

Goldie Hawn and George Segal star in this rough and tumble comedy that bounces from San Francisco's Barbary Coast to the wilderness of Utah. The Dirtwater Fox (Segal) is a slick gambler who wants to hold on to the $40,000 he's stolen from a gang of outlaws. The Duchess (Hawn) is a scheming saloon singer who wants to become a "real lady." But once they team up, they begin to realize that what they really want is each other. Mixing clever dialogue with plenty of action, this sassy spoof of the Old West is made all the more fun by it's two very talented stars.

Ryan O'Neal and Bruce Dern star in this fast-paced crime thriller filled with white-knuckle car chases. Known as the fastest getaway man on high-stakes robbery jobs, The Driver (O'Neal) is also relentlessly pursued by a detective on the police force who's obsessed with catching him (Dern). With its all-star cast, which also includes Isabelle Adjani and Ronee Blakley, and an action-packed story, The Driver is a metal-crunching, heart-stopping chase from start to finish!

This remake of Preston Sturges's 1948 comedy follows the same plot and has its amusing moments. Dudley Moore is a famous orchestra conductor who is convinced that his wife (Nastassja Kinski) is having an affair with his best friend, a flamboyant violinist (Armand Assante). So he plots an elaborate scheme by which he will kill them both and get away with murder. That fantasy, which he has while conducting an orchestra, rapidly falls apart once he actually tries to put it into motion. Moore and Assante compete for overacting awards, while Kinski was never much of an actress to begin with.

Stanley Kubrick was only 31 years old when Kirk Douglas (star of Kubrick's classic Paths of Glory) recruited the young director to pilot this epic saga, in which the rebellious slave Spartacus (played by Douglas) leads a freedom revolt against the decadent Roman Empire. Kubrick would later disown the film because it was not a personal project--he was merely a director-for-hire--but Spartacus remains one of the best of Hollywood's grand historical epics.

David Lean focused all his talent as an epic-maker on Boris Pasternak's sweeping novel about a doctor-poet in revolutionary Russia. The results may sometimes veer toward soap opera, especially with the screen frequently filled with adoring close-ups of Omar Sharif and Julie Christie, but Lean's gift for cramming the screen with spectacle is not to be denied. The streets of Moscow, the snowy steppes of Russia, the house in the country taken over by ice; these are re-created with Lean's unerring sense of grandness.

Italian star and filmmaker Massimo Troisi was dying of heart failure even before this film, his dream project, began production, and he prevailed upon British director Michael Radford (White Mischief) to see him and the film through to the end. (The 40-year-old Troisi, a beloved comic actor in Italy, died the day production wrapped.) Based on true events, Troisi plays a shy postman who strikes up an unlikely friendship with exiled Chilean poet Pablo Neruda (Philippe Noiret).

Martin Scorsese's brutal black-and-white biography of self-destructive boxer Jake LaMotta was chosen as the best film of the 1980s in a major critics' poll at the end of the decade, and it's a knockout piece of filmmaking. Robert De Niro plays LaMotta (famously putting on 50 pounds for the later scenes), a man tormented by demons he doesn't understand and prone to uncontrollably violent temper tantrums and fits of irrational jealousy. He marries a striking young blond (Cathy Moriarty), his sexual ideal, and then terrorizes her with never-ending accusations of infidelity.

A box-office hit when released in 1994, it's the kind of lusty, character-based epic that Hollywood should attempt more often. It's also an unabashedly flattering star vehicle for Brad Pitt as Tristan--the rebellious middle son of a fiercely independent Montana rancher and military veteran (Anthony Hopkins)--who is routinely at odds with his more responsible older brother, Alfred (Aidan Quinn), and younger brother, Samuel (Henry Thomas).

If you've never enjoyed Alec Guinness in the classic 1955 British comedy that inspired it, the Coen brothers' remake of The Ladykillers may well prove hilarious. For starters, it's got Tom Hanks in a variation of the Guinness role, eccentrically channeling Colonel Sanders, Tennessee Williams, and Edgar Allan Poe in his southern-fried performance as Prof. Goldthwait Higgins Dorr, Ph.D.